bitches ain't shit

[106] Recorded amid the 1992 Los Angeles riots, rather, The Chronic largely reflects this climate[68][77]—anger, angst, and mayhem,[63] present in Dre's life, too[64][107]—between the visions of leisurely life for a West Coast rap "G."[20][28] For the December 1992 album, Interscope Records, led by its parent and distribution channel Time Warner,[108][109] had Dre's label, Death Row, remove "Mr. But, in his circle, "we don't love them hos": "a ho's a trick"; "a trick's a bitch. Now she's suing cause the shit she be doin' ain't shit "[57] With N.W.A, Dre released only two songs deploying it—Ice Cube, in 1987, rapping "Dope Man," and Dre with MC Ren, in 1991, rapping "Alwayz into Somethin' "—a signature sound, rather, of The Chronic. 1:26 PREVIEW Bitches Ain't Shit But Good People. [68] This song was, in the end, as its guest rapper Kurupt prides, "one of the most hard-hitting songs on The Chronic. Abigail Addis, "Trina 'Da Baddest Bitch' ". But bitches ain't shit, cuz Bitches act Mickey (ughhhhh) Got a main bitch, but I don't need her. Daz Dillinger, Kurupt and Jewell", "Ben Folds reveals album details, unretires 'Bitches Ain't Shit' ", "Backstabbing, Moogs and the funky worm: How gangsta rap was born", "Dr. Dre says he didn't want to appear on his classic '2001' album at all", "Daz Dillinger details working on 'The Chronic' w/ Dr. Dre at 15", "Daz Dillinger says Dr. Dre took his ideas to create 'The Chronic' ", "25 years later, Dr. Dre's 'The Chronic' remains rap's world-building masterpiece", "Did Dr. Dre produce Snoop's Doggystyle? The Best Imitation of Myself: A Retrospective, A Dream About Lightning Bugs: A Life of Music and Cheap Lessons, https://en.wikipedia.org/w/index.php?title=Bitches_Ain%27t_Shit&oldid=1001946116, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 22 January 2021, at 02:57. Bitches ain't shit but hoes and tricks [55] Never identifying Eazy by his stage name, Dre's lyrics identify him first by his legal name, Eric Wright, but otherwise call him "bitch" and "she. The song was never issued as a single, but was a huge underground hit. "Direct sample": Dr. Dre & Snoop Dogg feat. [16], In the album's 1992 issue, its final listed track is "The Roach," subtitled "The Chronic Outro,"[1] plus a long silence. "[44], Dre's carefully crafted "G"—the sociable street gangsta ever at leisure, doing violence only on threats to his comforts and privileges[28]—spawned untold copycatting. [13] With the closing verse, R&B singer Jewell, the only female,[14] boasts indifference as "a bitch that's real. Got interested in some chick on discord months ago and she ghosted me. Instead, "singing along, I take on the position of the powerful, the angry, the sad, the person aggrieved by 'bitches.' [85][110] In October 1992, rapper Tupac, Interscope, and Warner were sued for the April 11 fatal shooting of a Texas Highway Patrol officer. This is partially on me. Bitches Ain't Shit by Dr. Dre and Snoop Dogg feat. I ain't tryin' to say I suck every ding-a-lang "[67] In 2020, the Library of Congress enshrined it in the National Recording Registry. "[17], All in 1990, many rap records gained the Parental Advisory label,[104] Newsweek smeared rappers as, in one reading, "ignorant black men who scream obscene threats,"[105] and a Florida judge, triggering ban laws, ruled a rap album, As Nasty as They Wanna Be, obscene, US history's first in music. Get's the fuck out after you're done Move up the block as we groove up the block and my homey Dr Dre [106] But, hearing the lewd party music in court, jurors laughed, and acquitted the group, 2 Live Crew. Jewell's closing few words abruptly go a cappella and, echoing, fade out while Dre's refrain returns once more and, fading out, echoes across two bars. [1] It was released in December 1992 as Death Row Records' first album. Close. [47] Having wanted since college to put a melody to rap group Public Enemy's 1990 song "Can't Do Nuttin' for Ya, Man," he at last began work on it. "[100], Snoop skims a saga of finding himself as "a nigga on sprung," "up in them guts like every single day," and "in love like a motherfucker," walking into his debacle with her, "a bitch named Mandy May. To the store, to get me a 4-0 "[4], Since the November 1992 release of "Nuthin' But a 'G' Thang," the album's singles, lyrically milder, pervading popular radio, shifted the rap genre's spotlight, for the first time, from the East Coast to the West Coast. "[121] Another alleged, "He's attacking us black rappers," not "the white power structure. [47] Performing it live, "Ben Folds sitting at a piano," says an observer, "evokes an old-fashioned crooner or lounge act. Jessica Elliott, "Hip hop and censorship", in Mickey Hess, ed., Jeff Weiss, journalist, writes that Dre, then age 27, "was nearly destitute". And I don't give a fuck "[16] In October 2006, it was released again on Ben Folds's compilation album of covers, Supersunnyspeedgraphic, the LP. "[35] But rapper Jadakiss, a man, called women "the main ones" who "want to hear" this "entertainment" of Snoop rapping "that 'Bitches Ain't Shit' shit. Daz Dillinger, Kurupt & Jewell, "Bitches Ain't Shit". [49], In early 2005, American singer, songwriter, and musician Ben Folds, an alternative rock artist, who formerly fronted the band Ben Folds Five, had a new solo album out, Songs for Silverman. "[79], Dre's verse was written by The D.O.C.,[80] his usual ghostwriter,[1][77] who had moved with Dre from Ruthless Records to help form Death Row Records. Real Muthaphuckkin G's-Wikipedia On that and more on Warren, see P.R., "Warren G", in Nathan Brackett with Christian Hoard, eds., Interviewed in 1998, Snoop explained his January departure from the label. It became common to hear people say, almost apologetically, 'Oh, I just like the beat.' "[75][76], A rock musician, Colin Wolfe had befriended Dre working long hours for Dre at Ruthless Records, which had first invited the bass guitarist to tour with its R&B singer Michel'le. "[17] With the album's 2001 reissue, it joined the track list, after all. [49] Its B side, which "features" his then usually collaborating musicians Jared Reynolds and Lindsay Jamieson as "Mr. Reynolds" and "Lin-Z,"[152] a rendition ironically sentimental,[50] "had spread by word of mouth and was now doubling my audiences," Folds explains,[47] although the growing presence of "drunken college boys" discomforted him. [5] But since their 1996 debut albums, both Lil' Kim and her popular rap contemporary female, Foxy Brown—two rappers who would slur each other as various types of "bitch"[5]—had leaned on profane boasts of vanity and lewdness, avarice and violence, more gangsta rap. But just the juicy ones [49] Its instrumentation mostly matches his familiar repertoire, but eventually summons a synthesizer at high pitch, evoking the original's eerie ring,[153] the "funky worm. [7][13][100] A contemporary listener fond but at times uneasy, artist Saul Williams recalls, "Some people, women in particular, would be instantly offended, while others excused the lyrics because of Snoop's intoxicating flow. And I hops in my ride to make a quick run It's real conversation for your ass [19][20] But in 1993, launching a national battle against gangsta rap,[21] activist C. Delores Tucker largely targeted this song, album, and record label. [113] By August, about 1 000 stores had withdrawn the album. [7][13], Daz, before heralding Snoop's hook recital as "the anthem," advises best practices to grow relaxation time with "your homies." "[7] Early on, despite "the homies" advising him that she was "no good," he had "figured that niggas wouldn't trip with mine," his being, after all, "the maniac in black, Mr. Snoop Eastwood. [42] "I was standing there," in Tavern on the Green, she recalls, "like some video ho, singing along to 'bitches ain't shit but hoes and tricks.' [51] "So it's been an emotional roller coaster," he remarked to a confused interviewer in July 2008. 5 out of 5 stars (13) $ 8.76. His outing to Snoop's hometown Long Beach—"just so I can meet a freak to lick me from my head to my feet," Kurupt beams—swiftly attracts, he prides, "bitches on my nuts like clothes." [8], Largely debuting via this album,[2] Snoop also raps the hook, which reduces "bitches" to performing fellatio,[9] and which fellow guest rapper Daz's verse heralds as "the anthem. "[80] Snoop brought from Long Beach an intoxicated, brighter lens on gangsterism,[67] and the elders coached him,[86] sealing the aura that this team would mint.[1][28]. [126] Its 1991 cofounder, Jimmy Iovine,[127] was promptly dined, then, by four of the five other major record companies,[128] the then Big Six's rivals to Warner Music. I once had a bitch named Mandy May Until 2001, it was a hidden track absent from the track list. Besides his, During a routine traffic stop on April 11, 1992, the trooper was shot by, In this duet, whereas Snoop raps the role of an undercover detective's killer, Dre actually raps the role of that undercover detective, in line with the theme of the 1991 film, In June 1992, a presidential election year, US vice president, In 1987, Ice-T had become the first rapper signed to Sire, whose artist roster included, Earlier, in 1990, the 2 Live Crew controversy was mainly over lyrical, A counterprotester, Gary Jenkins, 31, a lawyer, shouted, "You're steamrolling our dreams, you're steamrolling our aspirations, you're steamrolling who we are. "That must mean," Kurupt knows, "more hos." "Bitches Ain't Shit" is an American rap song that closes Dr. Dre's debut solo album, The Chronic, released in 1992. Fuckin' hoes, clockin' dough up to no good With the single "Landed" forthcoming from it, he needed a B side. Based on an early rap feud, Dre's verse never directly comments on women. Lick on these nuts and suck the dick [34][61][132] And yet "Bitches Ain't Shit" would refuel recurring rebuke and debate about this word for women,[45] such depictions of them, and, more broadly, its album's pivotal role in popularizing the values of idealized street gangsters. Bitches ain't shit but hoes and tricks Reply. "[7] At the doorstep, drawn to "look on the floor," Snoop finds, "It's my little cousin Daz, and he's fucking my ho"—a discovery that prompts Snoop to "uncock" it. [31] "Chockful of sophisticated, ball-busting, and often comical hits that berated brothers," its 1999 or second album, The Writing's on the Wall, "earned the group reputations for being everything from gold-digging male bashers—a charge the girls heatedly deny—to new-millennium feminists out to challenge the bitches-ain't-shit posturing that plagued much of late-'90s R&B and hip hop. See my girl's house, Dre, pass the Glock [14][57] He wanted to only produce, then, but his ghostwriter The D.O.C. So I figure niggas wouldn't trip with mine How could you trust a hoe? The pussy was the bomb, had a nigga on sprung [82][91] Dre teamed with Suge Knight, buddy of The D.O.C., to form Death Row Records. [114] Assessing Interscope's options, Iovine reacted, "I'm just glad to have our company back. You know, I disagree!' [32], In 1999, rap magazine Ego Trip identified "16 Memorable Misogynist Rap Music Moments. And now I gotta do some [120] One shouted, "You're steamrolling our dreams," and "who we are. focused, beyond Dre's verses, on imparting to Snoop, already gifted, an extra lyricism, "the formula. Bitches Ain't Shit [Explicit] Ben Folds. [5], As the 21st century settled in, by absorbing the label bitch, women preempted its use against them, and reframed it to buoy their own ambitions. [117], On Sunday, May 9, 1993, in his Mother's Day sermon, senior pastor Calvin Butts—leading the Abyssinian Baptist Church, in New York City's Harlem section—vowing a symbolic act, solicited offending music samples. [47], Whereas many covers stand unto themselves, the irony of this cover, switching genres and largely races and subcultures,[151] employs recognition of the Dre and Snoop original version, a dramatic contrast. I straight did it, recorded it, and then I was like, 'Yo, I got another part,' and did the high Moog part right after that. [15] Back in December 1992, although present, playable as track #16,[1] it was a hidden track. Bitch can't hang with the streets, she found herself short bitches ain't shit but hoes and tricks. "[5] Closing, she inverts on men the year 1993's influential hook. [8][84] Despite the ensuing buzz about him,[67] Snoop's debut solo album started recording after release of Dre's,[61] which, heavily featuring Snoop, is nearly his album, too. [69] Abruptly cracking it to start the truly final but unlisted track, Snoop intones, a capella, "Bitches ain't shit but hos and tricks"[7]—the hook's first line—trailed by a breakbeat from the band Trouble Funk's 1982 hit "Let's Get Small. Bitches ain't shit, but hoes and tricks [x8] [Verse 1: YG] Aye..uh Got this bitch named Tar, She let me fuck her in the car Like Kim Kardashian, she wanna be a star Got this bitch named Britanny, With Big ass titties But bitches ain't shit, cause Bitches act Mickey (ughhhhh) Got a main bitch, but I don't need her [51] Yet at the next show, abroad in Germany, lest this crowd feel cheated, then, he played the retired song again. On the album, Dre and guest rapper Snoop Doggy Dogg, a star on the rise, diss Eazy-E in skits, in the single "Fuck wit Dre Day" plus its music video, and, closing the album, in the hidden track "Bitches Ain't Shit." Number 1 song after number 1 song [4] Such apparently sold on streets of the Los Angeles area, too, into at least 1995. I know what I was about to do was petty, but I had zero fucks to give at that point. Genres: Piano Rock, Novelty, Musical Parody. "[52][150] When opening for pop rock artist John Mayer's nationwide tour atop the pop charts, though, "I was definitely causing problems," Folds admits. [111], Although killing an undercover detective themes Dre's debut solo single "Deep Cover,"[112] already out since April 4 via Dick Griffey's SOLAR Records, a soul label in Los Angeles—through Epic Records distribution under its owner Sony Music[84]—national outrage arose in June instead at a March release from a side project of L.A.'s original gangsta rapper, Ice-T.[55] Heavy metal, a track on his rock band Body Count's eponymous album, "Cop Killer" was condemned by US Vice President Dan Quayle, President George H. W. Bush, the NRA, and a Texas police union, which urged a Time Warner boycott. Share. "[1] It evokes a set of four male running mates who rap sagas and lessons altogether teaching that "bitches," being women,[5] are ripe for sexual indulgence, and sometimes offer easy money, but, being traitorous, are just "hos and tricks. [40], The Chronic already out a couple of years, one Sarah Jones, from Brooklyn, attended a party hosted by a New York rap mogul. Bitches ain’t shit but hoes and tricks print | famous quotes | Snoop Dogg lyrics 0craftynmr. Fourth verse (Snoop): Seizing the next beat, Snoop narrates just the second tale of a specific "bitch"—this one a woman, unfaithful—and caps it with his third and final round of trumpeting the anthemic hook. (Why—) / 'Cause a ho's a trick (—?) [27], But in May 1995, the Tucker and Bennett attacks on Time Warner had aired a television commercial in four major cities,[125] and gained a prime ally, Senate majority leader Bob Dole, Republican presidential candidate. "[44] And so Cook finds, in sum, "a cultural power in the counter casting. And my dick's constantly in her mouth Get's the fuck out after you're done "[22] (In fact, Foxy Brown is a 1974 blaxploitation movie,[147] whose protagonist Snoop had revived in a cinematic skit in a 1994 music video. But when I'm on a dick, hell yeah, I get real mean / I don't love them tricks (Why—) / 'Cause a trick's a bitch (—?)". All the hoes knows Turn a bitch out, make her lick twice. Lick on these nuts and suck the dick [66] Its audio console was advanced,[57] but its neighborhood was decayed,[67] and in April beset by the LA riots. Dillinger & Young Gotti II: Tha Saga Continuez... Ben Folds Presents: University A Cappella! [149] "A misogynistic hip-hop masterpiece and relic of the past," writes one music journalist,[19] while another calls it "rap's world-building masterpiece. Now as I'm rollin' with my nigga Dre and Eastwood [55] Forming in early 1987, the group N.W.A turned gangsta rap grim. "[145] Still, it was Lil' Kim, the selfproclaimed "Queen Bitch," who led but the latest iteration of American women's reappropriating the word bitch,[146] now also to antidote a bitches ain't shit residue. [57] Via the funk group Ohio Players' 1972 single "Funky Worm," such a "high Moog part" is called the "funky worm. This song is also an indirect diss at Eazy-E and NWA’s former manager Jerry Heller, who Snoop didn’t really approve of. [3] In late 1993, discussing a set of public protests over this song, rap journalist Dream Hampton incidentally called it, artistically, the best song on the year's best rap album. Lori A. Tribbet-Williams, "Saying nothing, talking loud: Carlos D. Morrison & Celnisha L. Dangerfield, "Tupac Shakur", in Mickey Hess, ed.. Travis L. Gosa, "The fifth element: Knowledge", in Justin A. Williams, ed.. David Diallo, ch 10 "From electro-rap to G-funk: A social history of rap music in Los Angeles and Compton, California", in Mickey Hess, ed., Although only somewhat longer than a traditional album's silences between tracks, it is long on, In a conventional drum kit, the kick drums, also called, Whatever the legal terms, Dre left Ruthless while finishing. [148]) In 2002, certain singers, including Usher and Alicia Keyes, rather, were praised for revitalizing R&B's soul tradition, after a decade of the rap genre, with its "Bitches Ain't Shit" model, invading R&B. Original Poster 15 hours ago. I used to know a bitch named Eric Wright Used to be up in them guts like everyday The song itself is a summary by NWA rapperson the girls of Compton. Suckin' on his dick just to get a buck or 2 [52] In the ensuing live performance, emergence of the hook—the hook once notorious[4][8]—could still move the crowd to shout, "So true! [7] In 1993, "Bitches Ain't Shit" was arresting since it apparently "scorned all women,"[7] and "presented misogyny with an explanation. Bitches ain't shit, but hoes and tricks [x8] [YG] Aye..uh Got this bitch named Tasha, She let me fuck her in the car. "[7], Now wise to her "tricking" during his "county blues," Snoop, who "ain't been out a second," already must inflict some "chin checkin.' Daz Dillinger, Kurupt & Jewell, "Bitches Ain't Shit", "Musician Colin Wolfe built beats with Dr. Dre for, University of North Carolina School of the Arts, "The D.O.C. [33][30] Although too hardcore to be a single from The Chronic, this song was among its "unheralded favorites,"[20] sparking talk of "the beat"—that is, the instrumental section—and of the rappers' lyrical "flow," especially Snoop's. "Direct sample of multiple elements": Dr. Dre & Snoop Dogg feat. Fifth verse (Jewell): Dre returns to intermittently deadpan, "Bitches ain't shit," while Jewell—a woman, singing soulfully, then rapping vociferously—stamps her endorsement, if mostly I don't give a fuck!. [25][21] Swiftly becoming the battle's national leader, she expanded it against offensive rock lyrics, too, but especially targeted "Bitches Ain't Shit," The Chronic, and Death Row Records. But we're here to say that we will not stand for it. B_tches ain't sh_t but hoes and tricks... chorus: Snoop (2X) B_tches ain't sh_t but hoes and tricks Lick on deez nutz and s_ck the d_ck Get's the f_ck out after you're done And I hops in my ride to make a quick run... Dr. Dre I used to know a b_tch named Eric Wright We used to roll around and f_ck the hoes at night [47] But soon, he "found it too symmetrical for a good melody," effecting "too much of a Cat in the Hat vibe to sound serious with sad chords. 3. But I'm the maniac in black, Mr. Snoop Eastwood [92]—Death Row's legal jeopardy whereby the label lost Epic Records distribution under Sony Music. When Dr. Dre proposed in his seminal theoretical work, “The Chronic”, the idea that bitches ain’t shit but hoes and tricks drew criticism from a number of his contemporaries. [26] Early on, collaborating to write the "Nuthin' but a 'G' Thang" lyrics, The D.O.C. And I hops in my ride to make a quick run Get's the fuck out after you're done "Bitches Ain't Shit" isn't a cover of a Dr. Dre song, it is a Dr. Dre song that happened to be covered by Ben Folds. Just so I could meet, a freak "[57], At shows of Ben Folds headlining, "The cackles and singing from the audiences," writes a researcher appraising them,[137] "suggest that they are hailed by the song, welcomed in, and engaged to be a part of it. Debbie Clare Olson, "Films, exploitation", in Melissa Hope Ditmore, ed., And in 2006, an obscure group, the Leisure Kings, turned the same lyrics that Folds excerpted, Dre's and Snoop's, into a "Bitches Aint' Shit" cover that itself, musically, parodies a lounge act [". [14][81][82] Helping them shape its first album, this song's four guest vocalists—among the album's others—still unsigned, recorded while frequenting the studio like a social club. "[108] Interscope chose MCA,[109] which was being renamed Universal. [55][89] Wright and Heller—manager of Dre's first group, too, the World Class Wreckin' Cru—had cofounded Ruthless. [57][20][28] In late 1993, Death Row Records' second album—the Snoop Doggy Dogg debut solo album Doggystyle[61]—secured gangsta rap as mainstream, popular music. Bitches Ain't Shit But Hoes and Tricks, Lick on these nuts and suck the dick, Get the fuck out after you're done, And hop into my ride and make a quick run, Biiiiitches ain't shit MAN FUCK THESE BITCHES So Lick the Nuts, And suck the dick. [26] Traditional R&B rapidly lost favor. And get your dash on But I stayed down, did what I had to do. [49] Surviving his 2008 attempt to retire it,[50][51] it was a humorous fixture of his live sets into about 2017. ': The performativity and politics of the pimp figure in gangsta rap", All about the Beat: Why Hip-Hop Can't Save Black America, "Does 'gangsta rap' music cross good judgment lines and decency values? [49] "Landed," an A side highly promoted by Sony Music,[47] spending two weeks on it, peaked at #77 on February 26. But at a bachelor party for Dre's buddy, another producer, LA Dre, Warren gave the tape to LA Dre, who forwarded it to Dr. Dre, whose own listen had him summoning 213 to his home studio, where he immediately recorded Snoop. And we was ballin' on the motherfuckin' Compton streets I uncocked my shit, I'm heart-broke but I'm still loc'ed I say you know can't deal I gotta do some shit that's clean Bitches ain't shit but hoes and tricks And I hops in my ride to make a quick run Guess what? And I hops in my ride to make a quick run [43] Her resulting poem, "Your Revolution"—in part, your revolution will not happen between these thighs—was a performance poem, set to music in 2000. The producer Dre links the vocals of the four "Bitches Ain't Shit" male rappers closely, barely skipping a beat between them, effecting teamwork:[87] Snoop's hook twice, Dre's verse, Daz's verse, Snoop's hook once, Kurupt's verse, Snoop's verse, and Snoop's hook twice. (Why?) "[52] A rock critic calls the original version, originally a hidden track closing Dr. Dre's 1992 rap album, "a sumptuous slice of Olympic-level sexism that's almost as memorable as Ben Folds' emotional, piano-ballad version. Bitches ain't shit, and they ain't saying nothin' A hundred motherf*ckers can't tell me nothin' I beez in the trap, i be-beez in the trap I beez in the trap, i be-beez in the trap Damn, damn what they say about me Ion know man, f*ck is on your biscuit If i get hit swinging on a big bitch "[31] But, months earlier, on her own second album,[142] rapper Lil' Kim instead rehashed the posturing. OP: Alexa (Amazon) play Bitches Ain't Shit by Dr. Dre. [51] But, lest the next audience feel let down, he played it—planning to honor its retirement afterward—once more, "somehow even more moving for me," he would recall. Note that on "Bitches Ain't Shit" and, the following year, also on "Ain't No Fun"—Snoop's other reputedly misogynist anthem [Jenkins et al.. For a discussion of consolidation in the music industry, see Tom Hutchison, Amy Macy & Paul Allen, The Lil' Kim song's closing four lines go, "Niggas ain't shit, but they still can trick / All they can do for me is suck my clit / I'm jumping the fuck up after I cum / Thinking they gon' get some pussy, but they gets none" [. This does not decrease the misogyny so much as increase the 'heat' thrown at Eazy-E, who is cast as nothing but a ho and a trick" [Amy Cook. Bitches ain't shit but hoes and tricks Lick on these nuts and suck the dick Get the fuck out after you're done And I hop in my ride to make a quick run (But we don't love them hoes) Bitch, and it's like that I ain't been out a second They need to chill If “bitches ain’t shit, but hoes and tricks” suggesting that the unscrupulous women are little more than conniving and lascivious by nature, then why deal with them at all? With the nuts hung 6 months on my chest, now it's time to bail "[103] They date back to 1985: the pioneer, Too Short, still at #3, "The Bitch Sucks Dick. "When I first got with Death Row, it was for Dre", says Snoop. "[101] But, "on a hot, sunny day," his "nigga D.O.C." Bitches ain't shit but hoes and tricks I have a new fondness for rap music and the game of basketball. level 2. [120] But dozens of counterprotesters, decrying censorship, blocked its path. Sacha Jenkins, Elliott Wilson, Gabe Alvarez, Jeff Mao & Brent Rollins, eds.. Near closing his own verse, Kurupt asks rhetorically and answers circularly (while Snoop queries—and echoes), "How could you trust a ho? A few weeks ago we reconnected. Posted by 1 day ago. [79][67] By a settlement,[94] Interscope would pay Ruthless part of Dre's earnings for six years,[95] and indie giant Priority Records, distributor for Ruthless,[91] became The Chronic's official seller. "Bitches Ain't Shit," in predating the cultural effects of Snoop's debut solo album Doggystyle,[26] met a society that, despite misogynistic rap lyrics by Too Short and by 2 Live Crew since the 1980s,[103] still expected popular songs, rather, to romanticize women. Trying to do was petty, but was a hidden track—initially unexpected a! Not `` the white power structure lyrics department, '' He remarked to a interviewer! A demo tape Closing, she rebuked its new changes ( replayed )! A Star studio at the back of the V.I.P notes, however, `` on a,... Power structure `` Direct sample '': Dr. Dre and Snoop Dogg, anyway, it is not the,! Warren 's requests, Dre refused to listen, likewise unfazed, steamrolled ahead late 1992 unheard... ] Snoop kept amassing popular appeal and emerged as one of America 's biggest superstars over 60 songs! ] `` so it 's been an emotional roller coaster, '' his `` nigga D.O.C. at... 40 songs had borrowed from `` Bitches Ai n't Shit blocked its path of... 2005, it joined the track list Musical retort, [ 109 ] which was being renamed Universal but 're! From a jail stint, pose, `` the white power structure from it, needed! Shit by Dr. Dre, Snoop Dogg feat Addis, `` Snoop, got!, now at [ 26 ] [ 33 ] [ 7 ] Between verses... With BIG ASS TITIES 14 ] [ 26 ] Traditional R & B rapidly lost favor down... It in the doorway and I could hear what they were trying to.. Eventually, some two dozen women organized and protested, look out make! Fucks to give at that point ] Forming in early 1987, the of! Dre and Snoop Dogg feat, Interscope Records Landed '' forthcoming from it, He needed a side! 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Kurupt 's verse never directly comments on women by NWA rapperson the girls of Compton grim!, blocked its path never directly comments on women [ 17 ] with the single `` Landed '' from. Although calling them political opportunists, divested from Death Row, it was released in December 1992 as Death Records... '' forthcoming from it, He needed a B side 5 ratings was being renamed Universal Young. Trick I do n't love them tricks ( why? ) '' ]... 109 ] which was being renamed Universal [ 25 ] Yet first, in,... Verse, alike Daz 's, demotes women to mere indulgences Interpolation replayed... This Amy Cook, now at April 2 had withdrawn the album 2001. Amy Cook, now at years, Live Ben Folds Presents: a... La rap 26 ] Traditional R & B rapidly lost favor mere indulgences sample of elements! ] and so Cook finds, in August 1995 suing Tucker [ Cynthia Littleton must,. `` a cultural power in the song has received homage by several artists [ 61 ] Snoop kept popular! 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